Green Kryptonite Speaks!

Người đăng: vanmai yeu em on Thứ Tư, 18 tháng 4, 2007

Occasionally during the Silver Age, writers got the idea to tell the story from the standpoint of an inanimate object. I've written in the past about how Wonder Woman's Golden Lariat and her Invisible Plane got a chance to tell their stories. It was an original idea, but perhaps carried too far in a series of stories called Tales of Kryptonite.

The series ran for four issues in Superman, #173, 176, 177 and 179, as the chunk of Kryptonite, which had originally been part of a statue awarded to Jor-El, found itself interacting with various members of the Superman family. Hilariously, the Green K here tries mental telepathy:



At the end of the story, Superboy is oddly unaffected by the piece of Green K; it turns out that Lex Luthor had accidentally created a device that made Superman invulnerable to its radiation. But Superboy assumes it's just a rock that looks like Kryptonite and throws it into the Arctic so he won't be fooled by it at some later point.

In Superman #177 things get even more improbable. A plane carrying Clark Kent over the Arctic is about to crash, and the passengers bail out. Clark lands near that same piece of Green K, but manages to escape with a rather cool method:



Improbably, this trip turns out to be the one that convinces Supes to build his Fortress of Solitude, so it's a significant event in the life of the Man of Steel. But this piece of Green K is bound for even more glory, as a professor uses it to create a ray that neutralizes Kryptonite against Superman. Unfortunately it turns out to make the Krytonite deadly for humans.

In the end Superman uses a pair of lead tongs to hurl the chunk into space. But it goes through a red "cloud" in space which turns it into red kryptonite and sends it hurtling back to Earth.

The Red Kryptonite appears in Superman #177. At first Superman can detect no ill effects, but then he discovers that he's unable to speak or write in English, only in Kryptonese. How can he avoid exposing his Clark Kent identity to Lois when he shows up in the newsroom speaking and writing this strange tongue?



Answer: By exposing Krypto to talking dog Red Kryptonite!

The series finally finished in Superman #179. A mysterious ray transforms the Red K, now apparently harmless to Superman (since it only affects him once) into Gold Kryptonite, which will rob him of his powers permanently!

Up till this point the series had been rather silly and pedestrian, but the finale redeemed things a bit. Seening the Red K transmute into Gold K, the Kandorians devised a plan of action. They would send one member of the Superman Emergency Squad (a group of Kandorians who were on call to be tiny, super-powered assistants when needed) to use a Phantom Zone projector to dispose of the dangerous element.

The person would be protected in a lead suit. As it happens, Jay-Ree is chosen, but his girlfriend Joenne insists on accompanying him. While getting rid of the Gold K, they are both briefly exposed to the rays and decide to make their home on Earth for the good of Kandor:



Of course, that's good characterization but awful genetics; acquired characteristics are not handed down to the next generation. This was in an age when nobody was supposed to notice that Superman was of an alien species and quite probably could not breed with Lois. And of course it leaves unanswered the question of just who Jay-Ree and Joenne's children are going to marry.

But despite this obvious glitch, the rest of the story charms, with the little couple doing all sorts of cute stuff. Jimmy Olsen builds them a miniature home inside his pad, and Superman himself presides at their wedding. At the end, Gold Kryptonite threatens to return, but I believe that this was the end of the Tales of Kryptonite.
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Người đăng: vanmai yeu em on Thứ Hai, 16 tháng 4, 2007

Number 120

Kelly Freas was a true Madman!


A couple of original Kelly Freas Mad Magazine covers showed up on an auction site recently.

Click on pictures for full-size images.

These artworks show what a great artist Freas was. Norman Mingo, who also did covers for Mad in the 1950s and '60s, was another great artist, but it was Freas who really caught my attention and caused me to pick up and buy Mad in the 1950s.

The printed covers, also taken from the Internet, show how much was lost during reproduction. Freas put a lot of work into each cover. Look at the textures on the weathervanes.

Artists who do the new Mad covers have a lot of talent, but they also have Photoshop to work with. They're good, but they don't have the individuality of style that Freas or Mingo had.

Freas died in 2005 at age 83. He left behind a legacy of work in the science fiction field that is unequaled, but his Mad humorous work is, for me, what made him a truly great illustrator.
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Người đăng: vanmai yeu em on Thứ Sáu, 13 tháng 4, 2007



Number 119


Son of Frankenstein Friday:* Going--going--real gone!



This oddball story with the excellent surrealistic splash panel came from a comic called Madhouse #2, August, 1957. According to the Overstreet Comic Book Price Guide there was a comic called Madhouse that ran three issues in 1954, and a second series of three (or four, Overstreet isn't sure) issues in 1957 from the same publisher, Ajax/Farrell.

Click on pictures for full-size images.








The Frankenstein connection in this story is pretty thin: a character resembling our favorite monster is part of a gaggle of ghosts, ghouls and goons haunting a house. Not only are they haunting it, they're trying to hold onto it against an equally geeky gang of partying bop kats.

Yes, my young friends…before there were hippies there were beatniks, and before beatniks there were be-boppers or bop kats. Actually, all of these groups were just part of a continuous mid-century bohemian-scene stream, each generation with its own clothes and music to listen to, as well as its own slang. Almost. The word "cool" was still cool back then, just as it is now. "Cool" is one of those words that has stayed hot. Dig me, you crazy cubes?

If the story isn't exactly screamingly funny, in its own way it's entertaining. Besides the splash panel I like the little Casper the Friendly Ghost-type who looks like Peter Lorre. The bop kat with the big bop kat hat looks pretty funny, too, as do the panels of Frankenstein being swung by a dancing chick.

The artwork is an Iger Shop job, Slob!

**********

*Frankenstein Friday is a feature that began in Pappy's #17, continuing for several months until I ran out of material to post. Son Of Frankenstein Friday will be an occasional feature that will show up when I find something to post for you.
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The Supreme Villain

Người đăng: vanmai yeu em on Thứ Năm, 12 tháng 4, 2007

Of the Silver Age was undoubtedly Adolf Hitler. Of course he mostly appeared in World War II comics like Sgt Fury and Our Army at War, but there were several occasions where he popped up in the more modern world.



In this story from Blackhawk #115 (Aug 1957), a series of daring attacks sends a rumor around the world: Hitler is alive! However, it turns out to be a hoax as a gang of crooks have plotted to steal the Nazis' hidden treasure which is in the hands of a fanatical Hitler supporter.

Hitler made a memorable appearance in Adventure #314. A criminal manages to evade the Legion's elaborate security system and steal their only time-bubble. He heads back into the past to gather some of the greatest villains of history: Nero, Dillinger and Hitler. When they come to the present he manages to switch the minds of those three villains into the bodies of Mon-El, Ultra Boy and Superboy respectively. But Saturn Girl senses that the villains can be defeated by informing each of the weakness of the others (Superboy to Kryptonite, Mon-El to lead, Ultra-Boy to radiation). Sure enough they all kayo each other and their minds are transferred back into their evil bodies:



Der Fuehrer also popped up in Jimmy Olsen #86. Jimmy is shocked when watching an old WWII film to discover that he had a double on Hitler's staff and decides to go back in time to investigate. He arrives on D-Day and sees Eisenhower on the beach (a goof, since Eisenhower did not travel to Normandy until the day after D-Day). Jimmy convinces the Germans he's one of them, and after some amazing predictions of his come true (all learned from the history books), is rapidly promoted up the ladder to the German High Command. He was that German general he saw in that film.



Unfortunately, Jimmy neglects to tell Hitler about the plot on the latter's life by the German generals and he is about to be killed when the time travel mechanism he used (a Professor Potter "time bomb") returns him to the present.

In Fantastic Four #21, Stretcho and the gang battle the Hate Monger, a man who is stirring up hatred in the US and a revolution in South America. In the end, the villain is killed by his own supporters and revealed:

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Người đăng: vanmai yeu em on Thứ Tư, 11 tháng 4, 2007


Number 118


Bill Everett loses a button!



Mrs. Pappy walked through the living room while I was watching TV.

"Are you watching that CSI show again?" She sniffed. "What is it you like about this stuff?"

I confessed. "I'm hoping to learn enough that when I begin my life of crime I won't make the same mistakes the crooks make on these shows."

It's true. On CSI someone always leaves a fingerprint, DNA, or even epithelials at the scene of the crime. I wouldn't want to do that. I know I could never do jail time. In the heyday of the crime comic books of the 1940s and '50s parents groups complained loudly that crime comics glorified criminals and were actually blueprints for crime. Nowadays a kid doesn't have to read a comic book. He can just watch TV and get all the ideas he wants.

In this story from Lev Gleason's Crime and Punishment #31, October, 1950, the great Bill Everett* draws a story about a criminal who worries about leaving behind evidence, and finds his paranoia correctly placed.

It's a five-page short with great art and a great moral for all you wannabe criminals: don't get caught. Errrr, I mean, don't leave any evidence…errrrr, what I really mean is CRIME DOES NOT PAY! Heh-heh.

Click on thumbnails for full-size images.






*Formerly seen in Pappy's #8.
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Người đăng: vanmai yeu em on Chủ Nhật, 8 tháng 4, 2007





Number 117


Alex Toth's Time Machine!



H. G. Wells' The Time Machine was a popular science fiction movie in 1960. It won an Oscar. Even with the older style special effects the story is still effective, adapted from a classic Victorian-era short novel by Herbert George Wells. George Pal directed the movie and Rod Taylor starred.

Dell Comics seemed to have the comics movie adaptation business sewed up at the time this was published. One of their top artists at the time was Alex Toth, a talented but volatile artist who died last year. This adaptation was published by Dell Comics as Four Color #1085, with a date of March, 1960.

Click on thumbnails for full-size images.



































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